- Total runtime: 45 RPM — Up to 8 min total (4 min per side)
Best for singles and short releases.
7" • 10" • 12"
One-Offs & Short Runs • Stereo Hi-Fi
🇺🇸
Made in the USA • Trusted by independent artists
Your music. On vinyl.
Make a custom 7″, 10″, or 12″ vinyl record—individually diamond cut in Grand Rapids, Michigan. One-offs and short runs, with free vinyl premastering included.
- Total runtime: 45 RPM — Up to 20 min total (10 min per side)
Ideal for EPs and extended singles.
- Total runtime: 45 RPM — Up to 24 min total (12 min per side) 33 1/3 RPM — Up to 40 min total (20 min per side)
Best for albums and longer formats.
BEFORE YOU UPLOAD
BUILD YOUR RECORD.
Two tools. One record. Two Sides.
Drag the top IN / OUT handles to set length; drag the round curve handles up/down to change the shape. Fades stay adjustable. Playback and export include them.
Uses the selected song or whole-side scope above. LUFS gain is capped by the estimated TP ceiling, without limiting; the target may not be reached.
Tap where the music starts, then Trim start to playhead. Cut deletes a selection and closes the gap; Trim keeps it. Split creates selectable sections within the song. Undo restores the last edit.
Cut removes the region; Trim keeps it. Add silence adds time at the start, playhead, or end of the selected song. Remove DC offset removes each channel’s constant bias from the selected song, or each song in the whole-side scope. These edits retain current fades in the audio and reset their handles. Mono averages L + R; stereo duplicates mono.
Markers in selected song
Five songs maximum. Default: real 2-second gaps, with banding cues halfway through each gap, matching our side builder. Song-start and gap-boundary markers are included too. Crossfades replace gaps.
MP3 to WAV: add an MP3 above, choose the WAV depth, then Prepare WAV and Save. No edit is required. Export includes every song and its fades, transitions and markers. Original keeps the source sample rate; another choice resamples the saved WAV. The PQ sheet uses the same format as our side builder. For record uploads, export at 44.1 to 96 kHz. Converting MP3 to WAV does not restore detail lost in the MP3.
Max reduction
Preview to hear this tool on the selected Stereo, Mid or Side view.
0 / 5
LUFS—
RMS—
Peak—
Crest—
Mid / Side
Mid—
Side—
L−∞
R−∞
Selection length
Space Play / stopReturn / Home StartM Marker↑ / ↓ · + / − ZoomTab / Shift + Tab TransientCtrl / Cmd + Z UndoCtrl / Cmd + Shift + Z RedoEsc Clear
Help and clear project
Add audio, then press the play triangle. Drag across the waveform to select audio; the scissors remove it and Trim keeps it. Pinch or use the magnifying glasses to zoom. Fade opens adjustable length and curve handles. From and To are exact sample-aligned times in seconds. Focus the waveform to use keyboard shortcuts. Enable Tab for transient navigation; Escape exits that mode.
Edit view selects Stereo, Left, Right, Mid (centre), or Side (difference) for listening, gain, EQ, de-essing and HF limiting. Left and Right edits keep the other channel unchanged and retain stereo output. Whole-side Left, Right and Side processing skips mono songs. This is not vocal or stem separation. Cuts and trims keep both channels aligned. Apply EQ commits the chosen channel or component; Undo reverses the edit. Apply or Reset the EQ before saving.
For MP3 to WAV, add your MP3 and open Save. All imported songs must share a sample rate. Audio stays on this device and is lost on refresh. The bottom history strip restores saved edit steps. Undo and Redo move through them; a new edit replaces the later branch. Up to 24 states and 256 MiB of extra audio are kept; the earliest steps may be removed for space. The project supports up to 256 MiB of decoded source audio. Temporary processing needs additional memory.
Full readings measure the whole file; Live uses recent playback. LUFS is loudness, RMS is average level, Peak is estimated true peak, and Crest is the peak-to-average difference. The right-hand display shows frequency and phase; Mid / Side opens the component levels. Mid is (L + R) / 2; Side is (L − R) / 2. Phase is unavailable when either channel is silent. These readings do not change the audio.
HPF is a low cut; LPF is a high cut. Select a filter, turn Filter on, and drag its point or set the cutoff frequency. Choose a 12 or 24 dB/oct slope. Both filters start off and follow the Stereo, Mid or Side edit view. Original compares the unprocessed audio; Apply EQ keeps the change.
Add a WAV or MP3 to beginSample peak: — dBFS · — · No audioNo audio loaded
